anniversaries
On this day (March 28) 50 years ago, Elvis songwriter Arthur Crudup died in poverty, as he had predicted. Most music fans today are aware there’s a long-running argument about whether the writers of the songs we love are fairly compensated for the profits made out of them. The internet brought the argument into the light, but it wasn’t really new. Since the era of recorded music began – and actually, long before that, when people bought sheet music rather than albums – the disagreement has raged on. It’s often assumed that those who reach certain heady heights will be more immune from being ri...
Loudwire
Most music fans today are aware there’s a long-running argument about whether the writers of the songs we love are fairly compensated for the profits made out of them. The internet brought the argument into the light, but it wasn’t really new. Since the era of recorded music began – and actually, long before that, when people bought sheet music rather than albums – the disagreement has raged on. It’s often assumed that those who reach certain heady heights will be more immune from being ripped off, if only because they can command bigger percentages and hire better lawyers. But consider the ca...
Taste of Country
Most music fans today are aware there’s a long-running argument about whether the writers of the songs we love are fairly compensated for the profits made out of them. The internet brought the argument into the light, but it wasn’t really new. Since the era of recorded music began – and actually, long before that, when people bought sheet music rather than albums – the disagreement has raged on. It’s often assumed that those who reach certain heady heights will be more immune from being ripped off, if only because they can command bigger percentages and hire better lawyers. But consider the ca...
The Boot
Most music fans today are aware there’s a long-running argument about whether the writers of the songs we love are fairly compensated for the profits made out of them. The internet brought the argument into the light, but it wasn’t really new. Since the era of recorded music began – and actually, long before that, when people bought sheet music rather than albums – the disagreement has raged on. It’s often assumed that those who reach certain heady heights will be more immune from being ripped off, if only because they can command bigger percentages and hire better lawyers. But consider the ca...
Ultimate Classic Rock
Fifty-nine years ago today, on March 27, 1965, Roger Miller‘s “King of the Road” hit No. 1 on the country charts. Produced by Jerry Kennedy, the song appears on 1965’s The Return of Roger Miller, and is an ode to the freewheeling road lifestyle. The protagonist of “King of the Road” hints at doing nefarious things to get by (he knows “every lock that ain’t locked when no one’s around”) but also knows all the shortcuts to surviving on a tight budget: “I sing, ‘Trailers for sale or rent, rooms to let, 50 cents / No phone, no pool, no pets / I ain’t got no cigarettes.” Miller recorded “King of th...
The Boot
Happy anniversary to Iron Maiden‘s The Number of the Beast. “Woe to you, oh earth and sea / For the Devil sends the beast with wrath / Because he knows the time is short / Let him who hath understanding / Reckon the number of the beast / For it is a human number / Its number is six hundred and sixty six.” These words have been etched into the annals of heavy metal history, signaling the onset of one of the genre’s most venerable songs: Iron Maiden‘s “The Number of the Beast.” The album, taking its name from the potent track, was released on March 22, 1982, thrusting Maiden onto bigger stages a...
Loudwire
Happy anniversary to Anthrax‘s Among the Living! After Anthrax finished touring for their second album – their first with vocalist Joey Belladonna – the band was on fire. They had just experienced their first taste of mainstream exposure and had even played eight shows as the opening band on a bill with Black Sabbath on their ill-fated “Seventh Star” tour. While they were on the road, Anthrax wrote several new songs, including “I Am the Law” and “Indians” and they couldn’t wait to get into the studio to record them for what is now widely regarded as one of the best thrash metal albums of all t...
Loudwire
In 1984, the two-year-old MTV network still had a lot to prove about its rock credentials, and bosses were serious about proving it all. At the same time, Van Halen had nothing left to prove – but it didn’t stop the parties connecting to offer one of the most outlandish prizes ever to the band’s fans. Announcing the “Lost Weekend” contest (one of a series of such promos), the broadcaster listed the tempting treasure: two nights partying with Van Halen amid their 1984 tour, including all the larger-than-life antics that would come with it, plus a stack of merchandise and $1,000 in cash. “You’ll...
Ultimate Classic Rock
Twenty-four years ago today, on March 21, 2000, Nickel Creek released their self-titled debut album on Sugar Hill Records. Produced by Alison Krauss, the project spawned three singles and earned the group their first Grammy Awards nomination, for Best Bluegrass Album. Nickel Creek, a trio made up of siblings Sean Watkins and Sara Watkins, along with Chris Thile, formed in 1989 and began performing around their home in southern California; at the time, Sean Watkins was 12, Sara Watkins was eight, and Thile turned eight that year as well. Throughout the ’90s, the threesome performed at bluegrass...
The Boot
On March 21, 1989, Suzy Bogguss released her major-label debut album, Somewhere Between. The full-length project followed her two earlier, independent releases — including one that the Illinois native recorded during her tenure as a featured performer at Dollywood — and several briefly charting singles, “Love Will Never Slip Away” and “I Don’t Want to Set the World on Fire.” Performing at Dollywood was invaluable career prep, Bogguss told The Chicago Tribune in 1987: “At Dollywood, I got to meet a lot of hardcore country music fans and kind of learned what makes them tick,” she says. “I think ...
The Boot
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