horrorfilms
It may not be coming in time for Halloween, but one of the masters of the thriller genre, M. Night Shyamalan, has a new film coming out soon next year. Knock at the Cabin first drew eyes with some creepy social media marketing, with Universal releasing a livestream showing a cabin door for six hours before the trailer played. Shyamalan’s next film is an adaptation of the 2018 novel The Cabin at the End of the World. The basic premise is that a family of three are attacked and held hostage by a group while on vacation at a remote cabin. The group believes in an impending apocalypse, and that th...
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The director of Skill House, a darkly satirical horror movie meant to be a send-up of social media and influencer culture, teased that a kill scene they recently shot resulted in a crew member genuinely passing out from how disturbing it was. Josh Stolberg, who has penned many horror films including Piranha 3D and Sorority Row, shared the story along with a shot of a blood-soaked floor that also showed the blade of a knife and some sort of flesh or organs that were strewn across it. The director mentioned that the member of the crew who couldn’t handle the scene wasn’t just a production assist...
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Jordan Peele, who is set to release his third film as director with Nope, took to Twitter to lightly shut down one overeager fan singing his praises extremely passionately. The tweet shared the Rotten Tomatoes scores of Peele’s films, and asked “at one point do we declare Jordan Peele the best horror director of all time?” “Can you think of another horror director that had 3 great films? Let alone 3 in a row? I can’t,” the tweet’s author Adam Ellis also wrote. Obviously, this statement alone would get online film snobs upset, but it even caught Peele’s eye since he was laying the praise on ver...
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The new psychological horror film Rounding, which recently premiered at the Tribeca Film Festival, provides an intimate character study of medical resident James Hayman while at the same time serving up some excellent horror imagery and tense moments where the audience really doesn’t know whose perspective to believe. Rounding occasionally buckles under its own weight from a scripting perspective, with slightly more flatly-depicted characters that clearly didn’t get as much attention as the lead, and an ending twist that doesn’t quite stick the landing. It still very effectively holds your att...
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